Book Review: Slade House, by David Mitchell (2015)

 


Our local library is a pleasure to visit, situated within a beautifully restored wooden barn. The kids like to go there and trawl through the shelves on the middle floor with great enthusiasm, coming away with an armful of books each, which they might or might not remember to read. On the top floor is a shelf dedicated to foreign-language books, offering a meagre selection of novels in English. Towards the end of these I found a slim story by the author of the previous book I’d read and enjoyed, and thus decided to add it to the top of my children’s bourgeoning pile.  

There is a real danger now that this blog will become a review of novels written by David Mitchell, taken as I am by his work. Slade House isn’t as wide reaching or epic as Cloud Atlas, but is more digestible, and at least as equally gripping. This is a paranormal horror story, but more fascinating and intriguing than frightening and disturbing. The perpetrators are telepathic brother and sister the Greyer twins, who had previously used their particular talents to discover a means of eternal life. For this, all they need to do is feast on the soul of a particular victim once every nine years. Thus, they must entice their prey through an ‘aperture’ and into their ‘orison.’ The aperture is a small, black metal door set in the high, bricked wall enclosing Slade Alley, and behind it lies the lavish garden and building of Slade House, which in the real world was razed to the ground in the blitz. A pattern emerges of missing persons, last seen in or around Slade Alley towards the end of October, with a regular interval between successive disappearances of exactly nine years. Thus, the book is organised into sections that tell the story and follow the fate of the poor individuals who become lured into Slade House. Each successive story provides new clues as to what’s going on, as the sinister mystery of Slade Alley becomes better known, amateurishly researched, and the latest visitors to Slade House slightly wiser to its potential dangers – making the twin’s elaborate stages increasingly fraught and perilous.

There are some similarities here with Cloud Atlas. Although the sweep of time is nowhere near as broad, the story of Slade House does take marked steps forward in time, finding a new first-person narrator at each footfall. I think this is Mitchell’s great strength as a writer – the ability to switch seamlessly into a completely new style of writing, shifting perspective, attitude and interpretation in the turn of a page. It makes his stories so multi-dimensional and convincing. Subtle points to how much and how little things can change within the frame of a decade are also masterfully provided here. I believe that David Mitchell is just as fascinated by the mechanisms and meanings of the simple passing of time as I am. I’ve also read that this author likes to reference characters, places or events from his other works within his stories. This has also appealed to me where I’ve encountered it elsewhere, and there were definite nods to Cloud Atlas here, no doubt along with various references to novels of his that I am yet to read. It’s a fun thing to imagine the worlds contained within different books existing on one vast canvass, but more than that, it allows a story to live beyond the confines of its own pages, and the possibility that even having read a book doesn’t mean that you are completely done with learning the story.

 

Favourite character: If I could rescue only one of the unlucky people who passed through the small, black, iron door, it would be Sally Timms – she somehow seemed least deserving of all to suffer such a fate.


((*** Google shows me that there are a handful of viewers of this blog, which is fantastic. Assuming the views are not from robots, it would be great if you could leave a comment, recommend a book perhaps, or even just say hi and where you are in this world! Thanks, Richard. ***))


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