Book Review: Slade House, by David Mitchell (2015)
Our local
library is a pleasure to visit, situated within a beautifully restored wooden
barn. The kids like to go there and trawl through the shelves on the middle
floor with great enthusiasm, coming away with an armful of books each, which
they might or might not remember to read. On the top floor is a shelf dedicated
to foreign-language books, offering a meagre selection of novels in English.
Towards the end of these I found a slim story by the author of the previous
book I’d read and enjoyed, and thus decided to add it to the top of my children’s
bourgeoning pile.
There is a
real danger now that this blog will become a review of novels written by David
Mitchell, taken as I am by his work. Slade
House isn’t as wide reaching or epic as Cloud
Atlas, but is more digestible, and at least as equally gripping. This is a paranormal
horror story, but more fascinating and intriguing than frightening and
disturbing. The perpetrators are telepathic brother and sister the Greyer twins,
who had previously used their particular talents to discover a means of eternal
life. For this, all they need to do is feast on the soul of a particular victim
once every nine years. Thus, they must entice their prey through an ‘aperture’
and into their ‘orison.’ The aperture is a small, black metal door set in the
high, bricked wall enclosing Slade Alley, and behind it lies the lavish garden
and building of Slade House, which in the real world was razed to the ground in
the blitz. A pattern emerges of missing persons, last seen in or around Slade
Alley towards the end of October, with a regular interval between successive
disappearances of exactly nine years. Thus, the book is organised into sections
that tell the story and follow the fate of the poor individuals who become
lured into Slade House. Each successive story provides new clues as to what’s
going on, as the sinister mystery of Slade Alley becomes better known, amateurishly
researched, and the latest visitors to Slade House slightly wiser to its
potential dangers – making the twin’s elaborate stages increasingly fraught and
perilous.
There are
some similarities here with Cloud Atlas.
Although the sweep of time is nowhere near as broad, the story of Slade House does take marked steps
forward in time, finding a new first-person narrator at each footfall. I think
this is Mitchell’s great strength as a writer – the ability to switch seamlessly
into a completely new style of writing, shifting perspective, attitude and
interpretation in the turn of a page. It makes his stories so multi-dimensional
and convincing. Subtle points to how much and how little things can change
within the frame of a decade are also masterfully provided here. I believe that
David Mitchell is just as fascinated by the mechanisms and meanings of the
simple passing of time as I am. I’ve also read that this author likes to
reference characters, places or events from his other works within his stories.
This has also appealed to me where I’ve encountered it elsewhere, and there
were definite nods to Cloud Atlas here, no doubt along with various references to novels of his that I am yet to read. It’s a
fun thing to imagine the worlds contained within different books existing on
one vast canvass, but more than that, it allows a story to live beyond the
confines of its own pages, and the possibility that even having read a book
doesn’t mean that you are completely done with learning the story.
Favourite character: If I could rescue only one of the unlucky
people who passed through the small, black, iron door, it would be Sally Timms –
she somehow seemed least deserving of all to suffer such a fate.
((*** Google shows me that there are a handful of viewers of this blog, which is fantastic. Assuming the views are not from robots, it would be great if you could leave a comment, recommend a book perhaps, or even just say hi and where you are in this world! Thanks, Richard. ***))
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